Fringe really keeps my synaptic relays on their toes. Did you notice the bald dude from episode 1.4 exiting the elevator right before the big plunge? Nice touch, J.J. It was so perfectly executed as pure throw-away that I completely missed it the first time around, and it was Cree who picked up on it. Good one.
Also, the continued use of older technologies (homing pigeons, tapes) really resonates. Call me a luddite, but this oddly appealing. It factors into the eldritch-like atmosphere and nuance...I was going to say without missing a beat, but it's so off-beat that it's a tattooed rhythm that is entirely unfamiliar to me. How would I recognize a missed beat? Genius!
I can't say yet what I think of the Vulcan mild meld connection between Liv and Dead John yet. Initially when he popped up I was hoping that he was a Massive Dynamic bio-engineered zombie, preferrably a nonbrain dining denizen of the undead, but really, either way is five by five with me. That issue though is largely moot because he's merely a cacophony of thought vestiges rattling around Liv's consciousness. Darn it.
I'm still loving Walter. Best line of the show belongs to him: "There was a test subject, everytime she hiccuped the lights would dim." He's a wealth of non sequiturs. Gotta say that I barely notice Pacey, but that's as it should be, which is cool. I'm hoping that they give Astrid something more to do than aid and babysit Walter.
Lastly, I really love the basement laboratory, although I really wish they were somewhere other than Harvard and Boston. Stick 'em in Cleveland, or better yet, Buffalo, or even better still, Carnegie Mellon U in Pittsburgh! That's just me idly dreaming...
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