
Also, the continued use of older technologies (homing pigeons, tapes) really resonates. Call me a luddite, but this oddly appealing. It factors into the eldritch-like atmosphere and nuance...I was going to say without missing a beat, but it's so off-beat that it's a tattooed rhythm that is entirely unfamiliar to me. How would I recognize a missed beat? Genius!
I can't say yet what I think of the Vulcan mild meld connection between Liv and Dead John yet. Initially when he popped up I was hoping that he was a Massive Dynamic bio-engineered zombie, preferrably a nonbrain dining denizen of the undead, but really, either way is five by five with me. That issue though is largely moot because he's merely a cacophony of thought vestiges rattling around Liv's consciousness. Darn it.
I'm still loving Walter. Best line of the show belongs to him: "There was a test subject, everytime she hiccuped the lights would dim." He's a wealth of non sequiturs. Gotta say that I barely notice Pacey, but that's as it should be, which is cool. I'm hoping that they give Astrid something more to do than aid and babysit Walter.
Lastly, I really love the basement laboratory, although I really wish they were somewhere other than Harvard and Boston. Stick 'em in Cleveland, or better yet, Buffalo, or even better still, Carnegie Mellon U in Pittsburgh! That's just me idly dreaming...
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